{"id":8810,"date":"2025-01-09T13:54:37","date_gmt":"2025-01-09T12:54:37","guid":{"rendered":"https:\/\/www.axala.fr\/?post_type=product&#038;p=8810"},"modified":"2026-02-25T14:56:36","modified_gmt":"2026-02-25T13:56:36","slug":"arts-magazine-international-n159","status":"publish","type":"product","link":"https:\/\/www.axala.fr\/en\/magazine\/arts-magazine-international-n159\/","title":{"rendered":"Arts Magazine International N\u00b0152"},"content":{"rendered":"<p>A Matter of Humanity<\/p>\n<p>From today onwards, painting is dead!\u201c This statement by the painter Paul Delaroche upon discovering the first daguerreotypes might elicit a smile today.<br \/>\nPhotography certainly did not kill artistic creation; on the contrary, it gave it a new impetus, freeing artists from the need to imitate reality and opening up a world of infinite possibilities. The question arises once again with the advancements in artificial intelligence. Are software programs capable of producing works of art? Perhaps, but not without human intervention, as Pierre Fautrel, co-founder of the Obvious collective along with Hugo Caselles-Dupr\u00e9 and Gauthier Vernier, reminds us: \u201cCreating with algorithms is not just a matter of pushing a button and having it generate on its own.\u201c Artistic creation FR\u00c9D\u00c9RIC BENOIT<br \/>\nremains, and will always remain, the prerogative of women and men, regardless of the<br \/>\nEditor-in-Chief<br \/>\ntools used. And we will always be here to give them a voice.<br \/>\nfbenoit@artsmagazine.fr<br \/>\nartsmagazine.fr<br \/>\nFr\u00e9d\u00e9ric Benoit<\/p>\n","protected":false},"excerpt":{"rendered":"<p>ARTS MAGAZINE N\u00b0152<\/p>\n<p>To discover&#8230;<\/p>\n<p>Beautiful Encounters<br \/>\n&#8211; Christophe Jehan: a small, joyful, and colorful world<br \/>\n&#8211; Mathieu Questel: Invitation to a Californian Dream<br \/>\n&#8211; Ardif: A Journey into Symbiotic Harmony<br \/>\n&#8211; Nasty: The art of memorial and emotional scripturality<\/p>\n<p>Not-to-be-missed Events<br \/>\n&#8211; Lille Art Up!, a spirit of openness and conviviality. Interview of Marie-Fran\u00e7oise Bouttemy.<br \/>\n&#8211; BRAFA 2024, between quality and diversity. Interview of Beatrix Bourdon.<br \/>\n&#8211; Salon d\u2019Automne, a 120th edition that cultivates a pioneering spirit. Interview of Gilles Guillaume.<\/p>\n<p>Expert Opinion<br \/>\nA detailed analysis by Jean-Fran\u00e7ois Cazeau, gallery owner and specialist about Picasso\u2019s prints remarkable.<\/p>\n<p>We talk about:<br \/>\n&#8211; Orsten Groom\u2019s disturbing \u2018mathesis\u2019.<br \/>\n&#8211; H\u00e9l\u00e8ne Delprat\u2019s abundant pictorial pantomimes.<br \/>\n&#8211; Motte\u2019s stimulating paradoxes.<br \/>\n&#8211; Antoine Roegiers drops the masks.<\/p>\n<p>Focus on<br \/>\n&#8211; Mucha, art for the people&#8230; Exhibition at the H\u00f4tel de Caumont in Aix-en-Provence.<\/p>\n<p>And exhibitions we love&#8230;<br \/>\nLacan the Exhibition, Taking in the Sun, F\u00e9lix Ziem &#8211; Seizing the Ligh, The Middle Ages \u2013 Rediscovered&#8230;<\/p>\n","protected":false},"featured_media":8811,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false},"product_brand":[],"product_cat":[172],"product_tag":[],"class_list":{"0":"post-8810","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-arts-magazine","8":"first","9":"instock","10":"downloadable","11":"virtual","12":"taxable","13":"purchasable","14":"product-type-simple"},"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.axala.fr\/en\/wp-json\/wp\/v2\/product\/8810","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.axala.fr\/en\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/www.axala.fr\/en\/wp-json\/wp\/v2\/types\/product"}],"replies":[{"embeddable":true,"href":"https:\/\/www.axala.fr\/en\/wp-json\/wp\/v2\/comments?post=8810"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.axala.fr\/en\/wp-json\/wp\/v2\/media\/8811"}],"wp:attachment":[{"href":"https:\/\/www.axala.fr\/en\/wp-json\/wp\/v2\/media?parent=8810"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/www.axala.fr\/en\/wp-json\/wp\/v2\/product_brand?post=8810"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/www.axala.fr\/en\/wp-json\/wp\/v2\/product_cat?post=8810"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/www.axala.fr\/en\/wp-json\/wp\/v2\/product_tag?post=8810"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}